— Atlanta rapper Michael Aristotle released his highly-anticipated album, DEKALB, this past July. After a few months of listening, let’s go back and explore the project.
For anyone in the know, Michael Aristotle is one of the true gems of Atlanta’s independent hip-hop scene and a future gem to all those oblivious to his work. With his unquestionable talent, his expressive artistry, and an apparent passion for his craft that becomes rarer by the day, Michael is a breath of fresh air and continues to be just that with every release.
Last seen on his May 2023 single, “CHAIN LETTER,” his 2022 3-pack EP, OUT FOR DELIVERY, and 2021’s CAMP EAST compilation album — created by his very own East Chain music label — we haven’t had the pleasure of enjoying a full length solo album since 2020’s Almost There. Lucky for us, that’s exactly what we got just a few months ago when East Atlanta wordsmith Michael Aristotle delivered his homecoming album, DEKALB.
DEKALB, released back in July, is a deeply personal project that chronicles Michael’s life growing up in the city of Decatur, located in Dekalb County, Georgia. From nostalgic highs to unnerving lows, Michael covers a range of subject matter unique to his experience growing up in East Atlanta yet, somehow, ends up with a project that so many of us can relate to.
Produced almost entirely by frequent collaborator, East Chain co-owner, and right-hand man Wili Henrixs, DEKALB takes us on an intense journey from beginning to end starting with the album’s cover art. Courtesy of photographer Tyler and graphic designer CIRE, the album’s tone was already being set before hearing a single lyric as the cover shows Michael Aristotle and Wili Hendrixs pictured with their makeshift studio setup in front of Decatur’s historic Golden Glide skating rink — a compelling and thought-provoking visual to say the least.
The opening track, “COME BACK HOME,” sets the stage for the entire album. Starting with a few opening words before introducing the somber instrumental, Michael Aristotle reflects on his arduous journey and tedious globetrotting as he reminds us that “you can always come back home” to recharge. As the track proceeds and the beat switches into some classic boom bap production, Michael begins telling us a story about a girl he met when he was only 8 years old — a conversation that will be revisited later.
On the following two records, “STONES” and “LOCK-INS,” things begin to heat up. Starting off with a heavenly soul sample void of percussion, Michael showcases his masterful wordplay without breaking a sweat. He then turns things up a notch when the drums come in as he effortlessly transitions in and out of rapid-fire flows like the marksman that he is — something that carries over into “LOCK-INS.” Featuring fellow East Chain artist Da Kidd Half, this track is simply a vibe consisting of biting bars from Michael Aristotle, entrancingly ethereal production by Wili Hendrixs, and a proven hitmaker in Da Kidd Half on the hook and second verse.
“SYSTEM” finds Michael Aristotle in his R&B bag as he serenades over a dark moody instrumental. Reflecting on the various thoughts, feelings, and baggage that come from past relationships while also attempting to heal and grow for the better, Michael puts it quite simply — “to f*ck with me, you gotta get it outta your system.”
The next 3 tracks — “SHORT N’ SWEET,” “MONEY N’ DA WAY,” and “GET EM’ IN” — are arguably the most dynamic series of songs on the entire project. “SHORT N’ SWEET” is a catchy, braggadocious bop where Michael Aristotle revels in how far he’s come with each bar getting deeper and deeper, culminating in heavy subject matter about some of his darkest moments. “MONEY N’ DA WAY” features fellow Atlanta-based rappers WARA and Ben Reilly with each artist demonstrating Atlanta’s musical proficiency in their own way using top tier lyricism, imaginative artistry, and emphatic delivery. “GET EM’ IN” is yet another display of Michael’s ability to churn out undeniable hits. While it is probably the least contemplative track on the album, it’s still full of meaningful subject matter while being one of the album’s most entertaining tracks.
While Michael himself doesn’t sing on this one, “SLEEPLESS IN DECATUR,” is definitely one for the ladies. In fact, featured artist Andy Z6 did all of the necessary singing. With soothing production courtesy of Wili Hendrixs, this track is perfect for a late night drive through your favorite city or to get the mood right for a special night with a special someone.
“SAFEPLACE” another song catered to women, has slightly more in-depth subject matter than the previous track. Beyond the desire to be intimate, “SAFEPLACE” highlights the enhanced intimacy, comfort, and peace you feel in the presence of someone who makes you feel “safe.” Featuring talented Atlanta songstress Sauvi DuVin, “SAFEPLACE,” is a refreshingly expressive and timeless record.
For anyone who enjoys a good ‘wake and bake, “BLAZY SUSAN” is just for you. Simply put, the production is trippy, distorted, and intoxicating within itself. Warped vocals from none other than Da Kidd Half, perfectly penned bars from Michael Aristotle, and sultry vocals from Tyler Royale all compliment each other seamlessly creating nothing short of a masterpiece.
“KINFOLK + PARANOID,” featuring fellow East Chain artist HQ Jonez, may very well be the best record on the entire project — especially in regards to rapping. In fact, Michael himself has stated that it may contain one of the top five verses he’s ever recorded. Consisting of two elegant and hypnotic instrumentals, the stage was set for Michael to do what he does best. Reminiscent of Drake’s notorious ‘timestamp freestyles’, Michael Aristotle flexes his lyrical superiority as he gets deeply introspective and gets a few things off his chest.
The following single, “FRENCH,” is a bonafide bop, without question. With minimalist production that puts the listener in trance, Michael Aristotle comes through dancing all over the beat with a captivating flow while the featured artist, Will Hill, lays a smooth verse with mellow vocals flawlessly complimenting Michael’s precise, snappy delivery.
Despite already having heard some incredibly deep stories and insights thus far, “TOO DEEP 4 THE TIMELINE” may be the most introspective song on the entire DEKALB album. For over 2 minutes straight, Michael Aristotle bares his soul over a percussion-less loop sharing thoughts on his battles with his mental health, bouts with self-doubt, and even a touching conversation he had in the studio with J. Cole.
The final track, “DESTINY,” wraps the album up in magnificent fashion. Not only was this another deep and introspective record, but it was also incredibly relatable and inspirational. Expressing his desire to be a more balanced human being in pursuit of his ultimate goals, Michael seems to be completely at peace with the idea that his journey isn’t exactly what he thought it would be. Oh, and as for the girl Michael met when he was 8 years old — her identity is revealed at the very end of the song. No spoiler alert here. Check it out for yourself.
All in all, DEKALB is yet another masterpiece that Michael Aristotle can add to his already stellar catalog. As a hip-hop album, as a moment in time, and even as a therapeutic aid for those who can relate to the wide range of emotions throughout the project, DEKALB is a one of a kind work of art.
Listen to the full album right here and stay tuned for updates on Michael Aristotle’s latest moves.